1920s Films: Not as Silent as You Think
The 1920s was the decade when the best silent feature films were created, only to end suddenly at the end of the decade with the advent of “talkies” in 1927. A few more were made, two of which I’ve included here. Don’t let the idea of “silent” films bother you – there’s nothing really silent about them.
One Week (1920)
Dir. Buster Keaton (short) – In a similar fashion to Chaplin, Buster Keaton was given money and a free reign to create a series of unique comedy shorts. Keaton’s brilliance was the complex set piece that somehow gets more and more convoluted as the film develops. The idea is that that he’s married and has one week to get a house built… pretty hilarious.
Last of the Mohicans (1920)
Dir. Maurice Tournier – This is the most accurate Last of the Mohicans to grace the screen. One of the greatest American love stories, it is a beautiful silent film that truly captures the feel of the novel.
Battleship Potemkin (1925)*
Dir. Sergei Eisenstein – Russian film director Eisenstein is often credited as the master of “montage” or editing. Due to the Revolution, the Russians had less film stock so often played around with what they were able to shoot. This film explores all sorts of fascinating editing and story-telling techniques. Like many Soviet films, it has little connection with historical fact, but as a film it is fascinating. [Warning: the Odessa Steps sequence with the guards firing into the crowd is pretty violent, with a shot of a woman dying who was shot in the face. It’s not quite realistic, but could be disturbing.]
The Gold Rush (1925)
Dir. Chaplin – The little tramp heads north to the Klondike to seek fortune and is put into countless funny circumstances. Some of Chaplin’s most memorable scenes, including his amazing preparation of a shoe for dinner, struggling in a snow storm, and mistaken romance. There were two versions, actually – the original 1925, then a later version with narration once sound was introduced.
The Black Pirate (1926)
Dir. Douglas Fairbanks – Fairbanks was the original action movie star who did all his own stunts and has never been matched for being dashingly handsome and debonair as he swashbuckles his way to victory. One of the first “color” films, Fairbanks plays a man seeking revenge on a pirate ship for killing his father. A lot of fun.
Sunrise: A Song of Two Humans (1927)*
Dir. F.W. Murnau – This is the greatest silent film ever made, if not possibly one of the greatest films of all time. Its depiction of the impact of adultery on a marriage, transformed through repentance and true love is one of the most moving stories ever put into film. As one critic pointed it, this film could never have been made during the sound years – it is wonderful primarily because it doesn’t have words. [Warning: although not graphic, the first scenes do depict a man in an adulterous affair, which fairly intense kissing and affection between an unmarried couple.]
The Passion of Joan of Arc (1928)*
Dir. Theodore Drier – Considered by many to be one of the most extraordinarily powerful films ever made. A harrowing and personal account of the suffering of Joan of Arc at the hands of the English. [Warning: intense anguish, emotion, and pain are presented which could be disturbing for younger children.]
The Virginian (1929)
Dir. Victor Fleming (starring Gary Cooper) – One of Gary Cooper’s earlier films that has him as a Wyoming rancher who has to go after his best friend for cattle rustling, falls in love with a local schoolmarm, and must fight the roughest cattle rustler of all. A great Cooper vehicle.